Film Noir & Neo Noir News

NOIR CITY Returns to Rain City

Get ready, Seattle! NOIR CITY returns to the SIFF Cinema Egyptian February 16 - 22, with a slate of 18 classic films noirs. Included in this year's line-up are seminal noirs like John Huston's The Maltese Falcon (1941) and Michael Curtiz' Mildred Pierce (1945), as well as seldomly screened "B" noirs such as Gustav Machatý's Jealousy (1945)—35mm print courtesy of the British Film Institute. There will also be the rare chance to see the noir meets Twilight Zone anthology film Flesh and Fantasy (1943) played with Destiny as one complete program as originally intended by director Julien Duvivier. The latter is a "B" feature created from a studio excised episode of the former.

The festival will close with a screening of the FNF funded restoration of The Man Who Cheated Himself (1950). The Felix Feist-directed feature concerns a cop (Lee J. Cobb) entangled with a cunning socialite (Jane Wyatt) who murders her husband. All the screenings will be introduced by FNF president Eddie Muller, the impresario of NOIR CITY and host of TCM's Noir Alley. Full line-up, tickets and passes available on the SIFF website.


NOIR CITY Seattle: February 16-22, 2018
NOIR CITY Denver: March 23-25, 2018
NOIR CITY Hollywood: April 13-22, 2018
NOIR CITY Austin: May 18-20, 2018
NOIR CITY Boston: June 8-10, 2018
NOIR CITY Chicago :August 17-23, 2018

*2018 dates for NOIR CITY Detroit and Washington D.C. TBD

Latest FNF Rescue: The Man Who Cheated Himself

The Man Who Cheated Himself

The Man Who Cheated Himself, an independently made noir thriller from 1950, is the latest preservation project of the Film Noir Foundation. The restored film will have its world premiere in San Francisco—the film's setting—at the 16th Annual NOIR CITY festival, running January 26–February 4, 2018. The only existing 35mm print of the film was screened last April as part of the annual NOIR CITY: Hollywood festival at the Egyptian Theatre. It was apparent that "vinegar syndrome" had afflicted the print since its previous screening at a NOIR CITY festival in 2006. "We realized we needed to do something immediately," said FNF president Eddie Muller. "I mean, this is Lee J. Cobb's only starring role, and the one time Jane Wyatt played a femme fatale. Can't lose that."

20th Century–Fox, the film's original distributor, provided an original fine-grain from its vault as the essential restoration element, and UCLA's Head of Restoration, Scott Mac-Queen, oversaw the project—which for the first time includes restoration of the film's original trailer, as well. The Felix Feist-directed feature, which concerns a cop entangled with a cunning socialite who murders her husband, will play the NOIR CITY circuit in 2018.

A June 23 screening of the film on TCM's Noir Alley hosted by Muller, will be followed by Flicker Alley's release of the film on Blu-ray, with special features produced by the FNF. In addition to The Man Who Cheated Himself, NOIR CITY patrons and FNF donors have made it possible over the years for the FNF to restore Los tallos amargos (1956), Cry Danger (1951), The Prowler (1951), Try and Get Me! (1951), Repeat Performance (1947), High Tide (1947), Too Late for Tears (1949), The Guilty (1947) and Woman on the Run (1950), as well as funding our many 35mm preservations. DONATE HERE and be a film noir savior.

From the Collection of
Eddie Muller

Belgian NoirThe WORLD OF FILM NOIR was created in black and white, but its intrigue and passion was sold worldwide by movie posters -- in vivid color -- that enticed audiences into this sinister and sensual demimonde. Nowhere on earth was the come-on more colorful than in Belgium, where the nation's standardly sized posters (a mere 14" x 22") virtually exploded with the danger and desire at the heart of cinema's most alluring and durable genre. Small posters from a small country--but packed with more lust and larceny than Hollywood would dare.

NOW, EXCLUSIVELY FROM BLACK POOL PRODUCTIONS—Eddie Muller, "The Czar of Noir," presents 24 glorious Belgian cinema posters from his personal collection, reproduced as 5-1/4" x 7" cards, each complete with his terse and tangy commentary highlighting what made these films—and this artwork--so magical and memorable. $20 + tax/shipping at

Don't Print the Legend

Gun Crazy - Eddie MullerGun Crazy caused barely a ripple in public consciousness when it hit movie screens in 1950. Yet over time it would prove to be the most innovative and provocative motion picture of its era—a simple genre film, but packed with so much cinematic bravura and timeless symbolism, its power has spanned decades, crossed oceans, and influenced countless filmmakers.

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Share our posts with your friends; your love of the art form is the Foundation's biggest asset in its mission to preserve and restore classics of the genre. We are also fully committed to present our rescued films in the way they were meant to be seen: in 35mm at our NOIR CITY festivals around the country.

BAMPFA Salutes Ida Lupino

Actress Ida Lupino moved from in front of the camera to behind it in 1949 when she partnered with her then husband Collier Young, to form The Filmakers, an independent film production company. Lupino became a director by necessity rather than desire when director Elmer Clifton suffered a mild heart attack and could not finish Not Wanted for Filmakers. She didn't take a screen credit for it, but she did go onto direct Never Fear for Filmakers. Lupino continued on as an actress, writer and producer as well as directing nine more films and a considerable number of TV shows during the next three decades. BAMPFA, the UC Berkeley Art Museum and Pacific Film Archive, is saluting Lupino's career as actress and auteur during the 40s and 50s with their series Ida Lupino: Hard, Fast, and Beautiful, running January 13–February 24. The series will include several noirs, including the Lupino helmed The Hitch-hiker (1953), the only film noir directed by a woman during the classic era. Visit the BAMPFA's website for full program information.

FNF Partners with JFI Winterfest

JFI WinterFest 2018The Film Noir Foundation is proud to be a community sponsor for the JFI WinterFest 2018 presentation of Shelter (2017), playing February 10 at San Francisco's Vogue Theatre. In this fast-paced Israeli spy thriller, a Mossad agent (Neta Riskin, Ophir [Israeli Academy Award] nominee for Best Actress), is sent on an easy mission: to protect Mona (Golshifteh Farahani), a Lebanese collaborator, in a safe house for two weeks, but things get complicated quickly. The film, based on the late Shulamith Hareven's novel The Link, is directed by Eran Riklis, one of Israel's most acclaimed filmmakers (Lemon Tree, Zaytoun, Dancing Arabs [A Borrowed Identity]).Tickets are available at the Jewish Film Institute's website. The festival runs February 10-11 with screenings at both the Vogue Theatre and the Alamo Drafthouse/San Francisco.

Michael Curtiz Retrospective

Michael Curtiz - A Life in FilmIn conjunction with his recently published biography, Michael Curtiz - A Life in Film, author and FNF board member Alan K. Rode will be hosting a ten-night retrospective of Curtiz' films co-programmed with UCLA Film & Television Archive. Casablanca (1942) and Kid Galahad (1937) opened the 21-film retrospective on January 4 at the Billy Wilder Theater in Westwood. The series, which runs until March 24, will include some of the prolific director's most renowned and seldom-shown titles including a pair of rare silent films and several pictures from his 1947-49 production company based at Warner Bros. Tickets and schedule are now available on the Archive's website.

She's a Femme Fatale

Film Stars Don't Die in Liverpool

Oscar winner Anette Benning is brining Gloria Grahame's last fling to the silver screen. Paul McGuigan's Film Stars Don't Die in Liverpool, based on Peter Turner's memoir, unfolds the tale of the much younger Turner's brief relationship with Grahame (Bening) and his time with her in the final days of her life when she was dying of cancer and turned to him and his family for help. Jamie Bell plays Turner an aspiring actor who met Grahame when they lived in the same boardinghouse. The film garnished positive reviews from its Telluride film festival screening and in the UK, where it has already screened. The Guardian praised the film, "The movie makes the right decision to focus on the humanity and compassion. It's a beguiling story and Bell and Bening are tremendous as the star-crossed lovers." The film opens in New York and Los Angeles on December 29, positioning Bening for an Oscar nomination and the buzz is that she'll earn one.


On Location from NOIR CITY 16 in San Francisco

NoirTalk podcastTo capture the excitement of NOIR CITY 16, NOIR TALK producer and host Haggai Elitzur recorded interviews at the historic Castro Theatre in San Francisco with numerous festival guests. The interviewees included folks involved in the festival: Ms. NOIR CITY 2018 Annabelle Zakaluk; the voice of NOIR CITY, announcer Bill Arney; and NOIR CITY art director Bill Selby. Elitzur also chatted with attendees from across the pond: Matthias Merkelbach from Stuttgart, Germany, who is also the creator of the largest European database for film noir and neo-noir, Der Film; and Greg Andrew who has travelled from England for NOIR CITY annually since 2013. Elitzur also sat down with Brian and Stacey Homan of Jacksonville, who have attend NOIR CITY every year since 2009; TCM Social Media Assistant Manager Marya Gates; and regular NOIR CITY e-magazine contributor and longtime NOIR CITY attendee Monica Nolan. You can listen either on SoundCloud or on iTunes.


Noir City e-mag


At left, the cover of NOIR CITY® — the Film Noir Foundation's latest e-magazine issue. For access to the best writing on noir available today, and to enjoy one of the most cutting-edge interactive multimedia cinema publications in the world, subscribe to NOIR CITY. Start by adding your name to our mailing list and then making a donation to the FNF of $20 or more. View the Table of Contents for the current issue here.

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